| The beautiful Goddess, Meenakshi with her lovely fish-shaped eyes,
together with her consort, the Lord Sundareswar or Shiva, presides
in her magnificent temple in the heart of the town. On a normal day,
an estimated 10,000 people visit the temple.
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History
Madurai was built by the Pandyan King Kulasekara in the 6th century
BC. The recorded history of Madurai emerges sometime during the 3rd
century BC when it was the prosperous capital of Pandya rulers, with
trading contacts with Greece and Rome. Megasthenes, the Greek
Ambassador to the Court of the Mauryas, refers to the Pandyan
princes who ruled over Madurai in 320 BC.
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Apart from a brief period when it fell to the Cholas, Madurai
remained with the Pandyas until the decline of the empire. Pandyan
kings patronised Tamil language in a great way. During their period,
many masterpieces were created. "Silapathikaram", the great epic in
Tamil was written based on the story of Kannagi who burnt Madurai as
a result of the injustice caused to her husband Kovalan.
In April 1311, Malik Kafur, the general of Alauddin Khilji who was
then the ruler of Delhi reached Madurai and raided and robbed the
city off precious stones, jewels and other rare treasures. This led
to the subsequent raids by other Muslim Kings. In 1323, the Pandya
kingdom including Madurai became a province of the Delhi Empire,
under the Tughlaks.
The next major rulers of Madurai were the Vijayanagara kings who won
over the territory in 1371. They appointed the Nayaks as governors
who, in time became powerful in their own right. The 200 - year old
reign of the Nayaks marks the golden period of Madurai when art,
architecture and learning scaled new heights. In fact, the most
beautiful buildings in the city including its most famous landmark,
the Meenakshi temple, are Nayak contributions. Among Nayaks,
Thirumalai Nayak (1623-1659) was very popular since it was he who
contributed to the creation of many magnificent structures in and
around Madurai. The Raja Gopuram of the Meenakshi Amman Temple, The
Pudu Mandapam and The Thirumalai Nayakar's Palace are living
monuments to his artistic fervor.
Madurai passed on to the East India Company in 1781 with George
Procter as the first collector of Madurai. In 1840, the Company
razed the fort, which had previously surrounded the city, and filled
in the moat. Four streets known as Veli streets, which were
constructed on top of the fill, till today, define the limits of the
old city. After India's independence, Madurai is one of the major
districts of Tamil Nadu with 15 State Assembly and two parliament
constituencies.
Landmarks
Meenakshi Temple
The temple is dedicated to Meenakshi, the consort of Lord Shiva. The
original temple was built by Kulasekara Pandya, but the entire
credit for making the temple as splendid as it is today goes to
Tirumalai Nayak who brought back glory to this magnificent
structure.
Located at the heart of the city, the Meenakshi-Sundareshwar temple
has long been the focus of both Indian and international tourist
attraction as well as one of the most important places of Hindu
pilgrimage. People of the city wake up to the chant of hymns at the
temple, which is the very centre of their cultural and religious
life.
While the major festivals of Tamil Nadu are celebrated here with
gaiety that equals the rest of the state, the most important moment
in Madurai is the Chitrai festival that is held in April/May, when
the celestial marriage of Meenakshi and Sundareshwar is celebrated,
drawing a huge crowd of people from all over the state.
Of its 12 gopurams, four of the tallest stand at the outer walls of
the temple. The 48.4m high southern gopuram is the most spectacular
and has over 1500 sculptures. From its top, it is possible to obtain
a panoramic view of the city. The Rajagopuram on the eastern side is
an unfinished structure, which has a 174 sq. ft base and had this
tower been completed, it would surely have been the largest of its
kind in the country. The eight smaller gopurams are within the
compounds of the twin temples.
The Ashta Shakti Mandapam was built by Thirumalai Nayak's wives
Rudrapathi Ammal and Tholimamai. In this hall food is distributed to
the devotees who come from far off places. The sculpted pillars of
this mandapam tell the story of the beautiful princess of Madurai
and her marriage to Lord Siva. Meenakshi was the daughter of King
Malayadwaja Pandya and Queen Kanchanamala, who begot her after
performing several yagnas (sacrificial rites). The three-year old
girl who emerged out of the fire during the final yagna was found to
have three breasts but a divine voice informed the surprised royal
couple that the third breast would disappear when the girl meets her
consort. The princess, who was named Meenakshi, grew to be a
beautiful young woman of great valour who conquered several lands
and challenged the mightiest kings including Indra, the King of the
Devas. Indra appealed to Lord Siva for protection and Meenakshi,
chasing the fleeing king, confronted Siva whereby her third breast
disappeared. It was revealed that the princess was actually an
incarnation of Parvati who came to earth to honour a promise given
to Kanchanamala in her previous life. Thus Siva came to Madurai as
Sundareshwar to marry Meenakshi and the two ruled over the kingdom
for many years before they left for their heavenly abode from the
spot where the temple now stands.

The Portamaraikulam or the golden lotus tank is the place where the
Tamil literary society called Sangam used to meet to decide the
merit of the literary works presented to them. The manuscripts that
sank were dismissed while those that floated were considered to be
great works of literature. A pillared corridor surrounds the tank.
Steps lead down to the tank, enabling worshippers to bathe in it.
The Oonjal (swing) Mandapam and Killikoontu (parrot cage) Mandapam
are on the western side of the tank. Every Friday the golden idols
of Meenakshi and Sundareshwar are seated on the swing in the Oonjal
Mandapam and hymns are sung as the deities swing to and fro. Next to
this mandapam is the Kilikootu Mandapam or hall of parrots where
there are some beautiful sculptures as well as parrots, which chant
the name of Meenakshi. But more interesting are the 28 pillars of
the mandapam, which exhibit some excellent sculptures of figures
from Hindu mythology. The shrine to the goddess is just beyond this
hall and entry is restricted only to Hindus.
At the Sundareshwar temple across the courtyard, Lord Siva is
represented as a lingam and here too, entry is restricted. On your
way you can worship a gigantic idol of Sri Ganesh called Mukkurini
Pillaiyar. The corridor outside the shrine has the stump of a tree
under which Indra is believed to have worshipped a lingam. In the
Kambathadi Mandapam there is a unique idol of Nataraja dancing with
his right leg raised to the shoulder instead of the other way round.
This idol of Nataraja is covered with silver leaves. Hence this hall
is named as Velli Ambalam (Silver Hall). The pillars of the Mandapam
are decorated with scenes from the wedding of Meenakshi and
Sundareshwar, many of which depict Shiva and Vishnu together, the
latter having come to give Meenakshi away in marriage.

The temple museum is housed in the hall with 985 richly carved
pillars each one surpassing the other in beauty. More scenes from
the wedding can be seen in the Vasantha Mandapam or Pudhu Mandapam.
Icons, photographs and drawings exhibiting the 1200 years old
history of the temple can be seen in the museum. It was constructed
by Tirumalai Nayak and is used during the celebration of the spring
festival in April-May. Just outside this mandapam, towards the west,
are the Musical Pillars. Each pillar when stuck produces a different
musical note.
Vandiyur Mariamman Teppakulam
This is a huge temple tank about 5 km east of the Meenakshi temple.
The mandapam in the centre has an idol of Vigneshwara (Vinayaka).
Discovered during excavation to build the Thirumalai Nayakkar Mahal,
the place was believed to be sanctified and was converted into a
teppakulam (tank). This enormous temple tank is fed by water brought
from the Vagai through an ingenious system of underground channels.
It is the site of the temple's float festival.
There are few temples in India, which share the grandeur of this
twin-temple complex. Since the temples is so huge it is quite
possible to lose one's bearings and it is therefore advisable to
engage a guide or go with a person who has already been there
several times.
Meenakshi Nayakkar Mandapam is adjacent to Ashta Shakthi Mandapam
and consists of 110 pillars carrying the figures of a peculiar
animal Yalli which has a lion's body and an elephant's head.
Vasantha Mandapam was built by Thirumalai Nayakkar. Vasanthosavam -
the spring festival-is celebrated in this mandapam in Vaikasi
(April/May). Its pillars contain elaborate sculptures of Shiva and
Meenakshi with scenes from their wedding as well as the figures of
ten of the Nayak Kings and their consorts. This is also called Pudhu
Mandapam. Float festival is held in the Tamil month 'Thai' (Jan/Feb)
in the tank in a colourful way.
Thirumalai Nayak Mahal
There is no other building in Madurai, which better illustrates the
architectural style of the Nayaks. The palace of Tirumalai Nayak is
about 1 km away from the temple. This Indo-Saracenic building was
constructed in 1523 and was originally four times as large as it is
today. This palace consisted mainly of two parts, namely
Swargavilasa and Rangavilasa which house the royal residence,
theatre, shrine, apartments, armoury, palanquin place, royal
bandstand, quarters, pond and gardens. The most remarkable part of
this palace is the dome of Swarga Vilasam, which lies beyond a huge
courtyard and is a magnificent example of the engineering skill of
its builders, rising as it does to a height of 20m without support
of any kind.

During the British rule, in 1822, Lord Nepier made several
renovation works. Then the palace was utilized to house some
officials of the judiciary and district administration. After
independence, this palace was declared as a national monument and is
now under the care of the Tamil Nadu Archaeological Department.
Sound and light shows on the life of Tirumalai Nayak and the story
of Silappathikaram (a Tamil classic) are held everyday.
Koodal Azhagar Temple
This ancient shrine has Vishnu in sitting, standing and reclining
postures one above the other.
The Gandhi Museum
The Gandhi Memorial Museum is one of the distinct places to be
visited in Madurai. This museum is one of the rare living memorials
of "The Father of India" and has an elaborate historical account of
India's struggle for independence.
Thirupparankundram (10 km)
This cave temple is one of the six abodes of Lord Subramaniya. Here
Lord Muruga was wedded to Devayanai, daughter of Indra, after
annihilating Surapadman. There are separate shrines dedicated to
Shiva, Ganapathy, Durgai, Vishnu and other deities. At the entrance
to the temple there are 48 pillars with artistic carvings. The
rock-cut temple of Subramaniya here is thronged with pilgrims on all
days of special worship. Its innermost shrine is cut out of a solid
rock.
Azhagar Koil (21 km)
A Vishnu temple on a picturesque wooded hill. During the Chitrai
festival in April/May, when the celestial marriage of Meenakshi to
Sundareshwar is celebrated, Azhagar, Meenakshi's brother travels to
Madurai for the celestial marriage.
Palamudhirsolai, one of the six abodes of Lord Subramanya is on the
same hill, about 4 km. Above and has a natural spring called
Nuburagangai where pilgrims bathe.
Vaigai Dam (70 km)
A popular picnic spot with beautiful gardens.
Kodaikanal (120 km)
Kodai is a hill station 2,130 m above sea level in the Western
Ghats. Wooded hills, pleasant walks, picturesque waterfalls and a
magnificent lake make Kodai one of the most beautiful hill stations
in India.
Periyar Wildlife Sanctuary, Thekkadi (155 km)
One can view wildlife in its natural habitat. The forests of this
beautiful sanctuary slope down to a man-made lake where one can see
elephant, gaur, sambhar and even tigers, which come to the lake.
Entertainment
Clubs:
Cosmopolitan Club, Union Club, Victoria Edward Hall Club. Railway
Vaigai Club.
Cultural Programmes:
Lakshmi Sundram Hall, Tallakulam. Tamil Isai Sangam, Raja Muthiah
Mandram.
Library:
District Library, Gandhi Museum Library, Victoria Edward Hall Club,
Madurai Kamaraja University Library.
Festivals
Madurai is a city of festivals. The most important festival is the
month-long Chithirai festival in April-May every year when the
divine marriage of Goddess Meenakshi with Lord Sundareshwar is
celebrated with great pomp and gaiety. The resounding notes of
nadaswaram and drums creates a vibrant ambience.
Every January-February the float festival is held at the large
Mariamman tank on the outskirts of the city. The images of Meenakshi
and Lord Sundareshwar are floated on a raft decorated with flowers
and lights. This is a good time to visit the city. Avanimoola (Sep -
Oct) festival is held in late August-early September, when temple
cars are drawn around the streets of Madurai.
General Information
Accommodation
Hotel Madurai Ashok, Taj Garden Retreat and Pandayan Hotel are the
luxury range hotels in the city. Hotel Supreme, Hotel Thilaga, Hotel
Park Plaza and Hotel Chintoor are mid range hotels. Hotel Tamil Nadu
offers a wide range of services, spacious and clean rooms, both AC
and Non-AC, cuisine catering to any palate, bars, restaurants,
conference halls and indoor games. Budget hotels include Hotel Ravi
Towers, Ruby Lodge, Hotel Times and Hotel Dhanamani.
Other Accommodation
Railway Retiring Rooms and Rani Mangammal Choultry (Opp. to Railway
Junction).
How to get There
Air: Madurai Airport is connected with Chennai, Mumbai,
Tiruchirapalli and Bangalore.
Rail:
Madurai is a major Railway junction connected with important cities
of Tamil Nadu. It takes eight hours to reach Madurai via Trichy and
six hours from Rameshwaram.
Road:
Madurai is connected with all the important cities of South India.
There is very good service from Madurai to most of the major cities
in the state. State run or private buses commute at regular
intervals.
Shopping
Madurai is a textile centre for long. Tailors with skilled fingers
can replicate your dress with cottons and printed fabrics at Puthu
Mandapam, the eastern entrance to the Meenakshi temple. The
government Poompuhar Handicrafts shop, The Cottage Arts Emporium and
the Madurai Gallery have hand-woven silks and cottons, bell-metal
lamps, bronze images, wood and stone carvings.
Climate Max. Min. Summer 37.1ºC, 25.0º C: Winter 29.0ºC, 20.0ºC
Best Season: October to March
Clothing:Tropical
Languages: Tamil, Sourashtra, English
Tourist Information
The Tourist Office (Tel: +91-452-22957) is at 180, West Veli Street,
Madurai.
Compiled by Puneet Sachdeva